THE LORD OF THE RINGS

Reviewed 6/08/2017

DVD cover

THE LORD OF THE RINGS
DIRECTED BY: Peter Jackson
Genre: FANTASY
Major Cast
Elijah Woodas Frodo Baggins
Ian McKellenas Gandalf/Mithrandir
Ian Holmas Bilbo Baggins
Sean Astinas Sam Gamgee
Sala Bakeras Sauron
Dominic Monaghanas Merry
Billy Boydas Pippin
Viggo Mortensenas Aragorn/Strider
Christopher Leeas Saruman
Noel Applebyas Everard Proudfoot
Megan Edwardsas Mrs. Proudfoot
Sean Beanas Boromir
Cate Blanchettas Galadriel
Orlando Bloomas Legolas
Marton Csokasas Celeborn
Michael Elsworthas Gondorian Archivist
Mark Fergusonas Gil-Galad
Lawrence Makoareas Lurtz
Andy Serkisas Gollum (voice)
Brent McIntyreas Witch-King
Peter McKenzieas Elendil
Sarah McLeodas Rosie Cotton
Ian Muneas Bounder
Craig Parkeras Haldir
Cameron Rhodesas Farmer Maggot
John Rhys-Daviesas Gimli/Voice of Treebeard
Martyn Sandersonas Gatekeeper
Harry Sinclairas Isildur
Liv Tyleras Arwen
David Weatherleyas Barliman Butterbur
Hugo Weavingas Elrond
Bruce Allpressas Aldor
John Bachas Madril
Sala Bakeras Man Flesh Uruk
Jed Brophyas Sharku/Snaga
Sam Comeryas Eothain
Brad Dourifas Grima/Wormtongue
Calum Gittinsas Haleth
Bernard Hillas Theoden
Bruce Hopkinsas Gamling
Paris Howe Streweas Theodred
Nathaniel Leesas Ugluk
John Leighas Hama
Robbie Magasivaas Mauhur
Miranda Ottoas Eowyn
Bruce Phillipsas Rohan Soldier
Robert Pollockas Morder Orc
Andy Serkisas Gollum
Olivia Tennetas Freda
Ray Trickittas Bereg
Karl Urbanas Eomer
David Wenhamas Faramir
MPAA Rating:PG-13
Production
Companies:
* New Line Cinema
* WingNut Films
* The Saul Zaentz Company
Distributors (USA):* New Line Cinema (theatrical)
* New Line Home Video (VHS/DVD/Blu-ray)
* WB Television Network, The (broadcast premiere)
* Alliance Universal (DVD)
* New Line Home Entertainment (DVD/Blu-ray)
* Turner Classic Movies (TV)
Release Dates (US):* 12/19/2001
* 12/18/2002
* 12/17/2003
Running Times
(theatrical):
178 / 179 / 201 minutes
Languages:English | Quenya | Old English | Sindarin
Domestic Box Office:$313,837,577 (12/05/2003)
$340,478,898 (12/12/2003)
$377,019,252 (05/28/2004)
Foreign Box Office:$?
Production Budget:$93M / $94M / $94M (Est.)
Production Notes:
There are some additional complexities. For example, each film was released in DVD, Extended DVD, and extended Blu-ray formats, with different running times. The table shows these times in minutes.
Fellowship171208228
Towers172232235
Return192254263

PLOT SUMMARY

It is the Third Age of Middle Earth. Far from The Shire, a bucolic region of farms and fields inhabited by Hobbits (or Halflings), ancient forces have once again begun to stir. The spirit of the dark lord Sauron, vanquished in the Second Age by armies of Dwarves, Elves, and Men, gathers itself in the desolate land of Mordor. In that distant time, drawing on the power of the One Ring it had forged in the depths of Mount Doom, it came near to dominating all of Middle Earth. It was foiled by the merest chance: A wild blow by Isildur with the shard of his shattered sword cut the One Ring from Sauron's hand and dissipated his threat.1

The One Ring could have been cast into the fires of Mount Doom and destroyed at that time. But Isildur refused; he kept the One Ring. Over the centuries, it was lost to Middle Earth history. But now it has come to a Hobbit named Bilbo Baggins. The wizard Gandalf, a friend of Bilbo's, comes to suspect he has a ring of power after seeing a stunt he performs at his 111th birthday party. But it takes a visit to the land of Gondor, where he can pore over ancient records, to convince Gandalf that Bilbo somehow has the One Ring. It is horribly dangerous. Imbued with the spirit of its master, it will seek to corrupt anyone who possesses it to his service, and given time will succeed. Bilbo has held it too long; it falls to his nephew Frodo to attempt a perilous quest: return the One Ring to Mount Doom, the one place it can be destroyed, and there cast it into oblivion. Time grows short; the fearsome servants of Sauron are already abroad in the land, seeking to obtain the One Ring at any cost and return it to its master. Should Frodo and his brave companions fail, even the fabled powers of Elvenkind may not suffice to avert the subjugation of Middle Earth.

The best-known work by J.R.R (John Ronald Reuel) Tolkien is the Lord of the Rings trilogy. Although it may not be true today, as memories fade, when I read them back in the 1960s they were widely regarded as the best fantasy novels in print. They are the origin of the captivating mixture of heroic battles, magic, and human interest that Peter Jackson preserved so well for his films.

The novels also contain a great deal of additional detail, and a number of characters, that Jackson chose not to include.2 Those details, the sheer complexity of Tolkien's vision, are why we had to wait so long for a credible screen treatment — and credible it is, despite the lamentations of hard-core Tolkien fans. Including them would have made the films too long; it's hard enough to sit through them at three hours.3 Jackson mostly avoided leaving continuity holes in the plot, but there are a few. The lack of information on the reason for Aragorn's banishment is one that comes to mind.4 (We see him posing as "Strider" at the start of the film: a wanderer dressed in rough clothing, sitting alone in a tavern — an unusual role for the man who, as Isildur's heir, is the rightful King of Gondor.)

Another great thing Jackson successfully translates from the books is Tolkein's view of the worth of Hobbits. In the books, they stand half as high as men (hence the name "halflings") and have little to no voice in the councils of the major powers. Neither do they figure in the legends of elves, dwarves, or men. Yet Tolkien points out that they have a strength of character unsuspected by loftier folk. This comes through clearly in the films, largely because of the marvelous acting done by Elijah Wood (Frodo) and Sean Astin (Sam).

There are a few things I wish Jackson had made clearer. One is the reason Aragorn is in exile from Gondor, the land where he should by rights be king. Another is the scouring of the Shire, which does not appear at all in the films. These could have been included without adding much running time. On the other hand, their lack doesn't subtract much from its quality.

My Rating:
10 out of 10

Capsule review: This trilogy of films is, quite simply, a masterpiece. Peter Jackson has achieved a nearly perfect blending of pathos, desperate struggles against hopeless odds, despicable villany, heroic battles of mighty armies, human interest, monstrous creatures, magic, and just a dash of humor. He has coupled this to superb special effects and a sublime score. The result is magnificent, enthralling, a true epic that held my attention throughout the nine hours of running time (though I watched one disc per night.)

There are a number of fine film treatments of works of fantasy.5 However, I don't think anything will surpass this one.

The Fellowship of the Ring (2001) IMDB Rating: 8.8 Raters: 1,552,922
The Two Towers (2002) IMDB Rating: 8.7 Raters: 1,390,882
The Fellowship of the Ring (2003) IMDB Rating: 8.9 Raters: 1,537,703
1 Sauron is never shown as a person except during the flashback to the final battle during the Second Age, when his possession of the One Ring gives him the power to manifest in physical form as a mailed warrior twice as tall as a man. Otherwise he is only a malevolent presence, a metaphor for the evil in the world. Tolkien's experience in World War I had a lot to do with this.
2 There's also a good deal of background information in other works, like Tolkein's novel The Silmarillion, and in shorter works by him. His cosmos was carefully worked out; The Lord of the Rings underwent many revisions before he was satisfied (if he ever was), and he invented consistent language fragments for it: Elvish being the most complete.) The Silmarillion, like many of his other works, was published posthumously by his son Christopher.
3 It also would have boosted the production budget to the top of Mount Doom.
4 It's been so long since I read the books, I can't remember it myself. And there are characters (like Tom Bombadil) and subplots that all little to the main sequence of the tale.
5 Some examples: Willow; Clash of the Titans; The Seventh Voyage of Sinbad; Tin Man; The Wizard of Oz; Disney's Dragonslayer; and Earthsea (a SyFy Channel miniseries based on Ursula LeGuin's books, which the author condemned.) I'd probably include the Harry Potter movies, if I'd seen them.
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